Saturday, April 29, 2017
Friday, March 17, 2017
While I surely don't blog as often as I used to in the early years (daily, no matter what), this space still sees some usage, and I plan to get back to making much more in the ruckus department here again soon.
Pictured above, just for shifts and giggles, the very first record I ever bought - after listening to 78 RPMs of Elvis on the floor in the family house living room, as a very young sprout. Recently picked it up on CD, so almost first circle, notwithstanding a digital copy from iTunes.
Music has been a huge part of my life, and I expect that to continue for the foreseeable future. One way or another...
Saturday, February 18, 2017
|Photos courtesy Stage West Calgary|
Given that religion is in the news in a very polarizing manner as of late, perhaps it is prudent timing to have this rollicking glimpse into a fictional convent on stage right now at Stage West Calgary.
A broad farce of human nature set behind religious trappings, Drinking Habits is both a wordplay on the dress of nuns, and a nod to this particular order’s penchant for brewing up a little bit of illicit vino to help keep their convent afloat.
Utilizing every element of classic farces in the tool chest, playwright Tom Smith takes familiar stereotypes of the Christian faith and blends them with intrepid journalism (fake news?) to provide hearty and continual laughs, once the cast has been introduced, and the scene set.
I’ll have my official Calgary Herald review next week to follow this one, so just a few highlights here:
The Sisters Of Perpetual Sewing is a very small order, barely scraping by, alongside an even smaller neighbouring parish. A note from Rome arrives to indicate there may be some scrutiny, and if necessary, both may be closed if not found sufficiently worthy (profitable).
Cue the paranoia around who the spy will be, the elaborate schemes to catch him or her in the act, add slamming doors and mistaken identities, and you have all those aforementioned farce elements, just then requiring an able cast to draw the audience along in a convincing enough manner.
Here, director J. Sean Elliott has outdone himself, populating this little world with a stable of talent that brings exceptional comic timing to Smith’s well-conceived story - it’s worth noting that there’s already a sequel to this fun-fest, and an award. The play picked up the Robert J. Pickering Award for Excellence in Playwriting in 2004.
|Photos courtesy Stage West Calgary|
Alphabetically, the cast includes Al Braatz as George, the gentle-natured, goofy groundskeeper that gets recruited into Mother Superior’s plan to root out the holy spy sent to investigate. But he ends up having an even greater deception that plays into the results.
Natascha Girgis is Sister Augusta, one of the two denizens of the sparsely populated convent - and she is a delight in every aspect of her role here. Whether that may be conspiring to keep the illicit wine business on the down-low, or as she develops her detective skills to make sense of the added population introduced by happenstance from afar, Girgis draws plenty of belly-laughs from a well written role.
Charlie Gould is Sally, the runaway bride bent on elevating her journalistic career to a rightful place, or basically any place aside from where she has been languishing in that effort. She goes undercover in the convent with determination. And a nun’s habit…
Elinor Holt is a marvellous Mother Superior, somewhat oblivious to what her fellow nuns have been doing behind her back, but well determined to prevent whatever that might be from coming to an abrupt end. To that end, she directs espionage to out the spies that would be right home in an episode of TV’s Get Smart.
Robert Klein is Father Chenille of the tiny parish next door, wrought with anguish that he is about to be replaced by a younger priest. Jeremy LaPalme is Sally's partner in the undercover press, Paul - also her ex-fiancé, but maybe not so ex as she might be thinking.
Esther Purves-Smith is the other nun in the order, and her Achilles Heel appears to be a lack of any ability to lie, which plays out towards the build-up to the finale in a scene-stealing display of emotion.
The final element is Sister Mary Catherine (Arielle Rombough), who is not quite yet a nun, but she’s still very vital to how this all unfolds. It is after all a puzzle that must fit together for the twists and turns at the end, which may be there on display all along for intrepid mystery fans in the audience.
Based on the laughter last night, I think this stands out as one of the strongest farces in recent memory.
5 out of 5 stars.
Link back here when the official Calgary Herald review is out!
Drinking Habits runs to April 16.
Saturday, November 26, 2016
Stage West Calgary
Nov 18 to Feb 5
|courtesy Stage West Calgary|
Breaking from their more consistent tradition of pop or country music hit showcases, Stage West has taken a chance on gathering big songs from the movies as their focus on the brand new revue Hollywood Hits. The gamble pays off. You won’t go too long without recognizing most every song that creators Timothy French and Howard Pechet have included here.
That includes a wide variety of songs from an even wider variety of musical styles, Hollywood Hits brings back the backdrop of movies that became cultural icons for a variety of generations - Bond movies, Beatles movies, coming of age films, and even animated classics.
Once again I have to hold back much of my commentary ahead of my upcoming official Calgary Herald review (link here as soon as that goes live!), but I can say that plenty of thought went into curating these soundtrack classics, many of which have gone on over the years to become standards played at weddings, or fill dance floors when djs spin those tracks.
Many familiar faces return to the stage to bring the songs to life - David Cotton, Chelsey Duplak, Daniel Greenburg, Tara Jackson, Andrew McGillivray, Tiera Watts, and Jesse Weaver. New talent showing their chops include Élodie Dorsel, Eric da Costa, JJ Gerber and Cary Shields. As I have recently screwed up the names of various actors TWICE in various roles, I’ll stick this time around to just highlighting performances - of which there are plenty of standouts.
|courtesy Stage West Calgary|
Going back in time, early films are mined for songs like Boogie Woogie Bugle Boy, Rock Around The Clock, and Hard Day’s Night. Adele’s Skyfall is bang-on, as tracks like Tina Turner’s We Don’t Need Another Hero, and a handful of Sixties-era folk rock hits.
In between these segments of songs (far too many to perform in their entirety) you’ll enjoy the over-the-top hilarity of host Andrew McGillivray, who gets a chance to portray a number of figures from the movies, and a few figures plucked from a fertile imagination. As hilarious as he gets to be as this collection of characters, when you hear his all too brief version of Bare Necessities, you’ll wish he had a few more opportunities to sing - which that man can
|courtesy Stage West Calgary|
By the time this settles down though, you’ll have been walked through a smattering of disco, a trio of funkers via Prince from Purple Rain, love songs, rap and hip-hop, right up to Pharell’s Happy. Most all of those tracks brought appreciative hoots and hollers from the audience, as well as a standing ovation by the end.
If you’re a fan of memorable songs from movies, you’ll certainly enjoy Stage West’s Hollywood Hits - 5 out of 5 stars!
Friday, September 16, 2016
Stage West Calgary presents:
"Million Dollar Quartet"
Sept 9 - Nov 13, 2016
Million Dollar Quartet
|All photos courtesy Stage West Calgary / John Watson|
I will confess up front to having seen an earlier big, fancy production elsewhere of the latest show opening this week at Stage West Calgary.
I thought I was seeing it again last night - this is one flawless outing for fans of the Broadway musical Million Dollar Quartet! It is without question every bit as good as the Vegas version, which at the time I attended featured one of the Broadway cast members among the stars.
This version here at home starts with a terrific set. It builds with the introduction of the cast members, and follows through with great renditions of the songs and story of this one-off event in pop music.
In December 1956 three of the biggest stars in pop, country and rhythm and blues convened in the legendary Sun Studios with an brand-new up-and-comer for the Sun Records stable of recording stars, mostly by happenstance. The storyline features a number of plot lines that build to the finale, but along the way you hear some iconic music from the rockabilly era, and much more.
J. Sean Elliott moves away from his usual director’s chair to tackle the role of Sun founder Sam Phillips. In a dual role narrating the event in asides, he brings considerable skill to making Phillips believable, yet not taking anything away from his fellow actors.
Matt Cage is a young Elvis Presley, returning to where it all started for him. The story line links Presley and Phillips to a possible future collaborative reunion, kept somewhat secret from the other musicians in the impromptu gathering. Cage’s acoustic version of Peace In The Valley with a haunting chorus from fellow cast members is worth the price of admission by itself.
Tyler Check brings rockabilly pioneer Carl Perkins to life, and he also harbours a secret along with Johnny Cash (Maxwell Theodore Lebeuf) that ultimately serves to make the finale bittersweet for the group.
Check and Lebeuf also share musical moments that sparkle, and like the Broadway version, everyone on stage is playing their own instruments.
A natural firebrand cast as the original firebrand, Gerrad Everard clearly has a blast in the role of the young Jerry Lee Lewis, caught somewhere along the fine line between religiously aware, but bawdily centred. Has it really been 8 years since he brought other musical legends to life here? Too long!
Laura Mae Nason returns to Stage West playing Elvis’ girlfriend, and she gets to perform a couple of songs herself. Again, much like the Broadway version she almost steals the show from the formidable legends gathered in the room - she can truly belt out with the best of them.
Filling out the group are Scot Carmichael (Fluke) and Zachary Knowles (Jay Perkins) as the background musicians for Perkins' session - plenty capable themselves musically.
Directed by Alex Mustakas, with musical direction from the ever-present Konrad Pluta, there is not one misstep along the way. If you’ve seen this before, you can do no wrong by seeing it one more time.
5 out of 5 stars.
Check out my official Calgary Herald review, live online now!
Thursday, August 04, 2016
Real Estate Magazine
Hey, I made the front page today!
My latest column for Real Estate Magazine (REM) is live online mere moments ago, and it's all about overcoming your fears.
OK, there really isn't a lot of good advice for actually overcoming any of them, but I do introduce almost a dozen fears you may have never even heard of!
And it's the featured piece on the front page! I'm debuting at #1 :-)
As always, meant for Realtors, but generic enough for anyone.
Sunday, July 10, 2016
"Legends of Rock 'N' Roll"
Stage West Calgary
July 1 - Sept 4, 2016
|Full Cast - photo courtesy Stage West Calgary|
Stage West Calgary has a brand-new show onstage, and you may recognize a few of the faces behind the iconic songs.
The 2016 version of the popular tribute show Legends of Rock “n” Roll delivers reasonable facsimiles of Buddy Holly, Neil Diamond, Tom Jones and Elvis Presley - the first presentation ran some 10 years ago.
|Al Braatz as Buddy Holly - courtesy Stage West Calgary|
Getting off to a rip-roaring start, Al Braatz brought the songbook of Buddy Holly out with a whole lot of authenticity. He came closest with his rendition of It Doesn’t Matter Anymore, which really captured Holly’s marriage of rock, country and strings for that particular track.
|Gaelan Beatty as Neil Diamond - courtesy Stage West Calgary|
Following Braatz, Gaelan Beatty relived some of Neil Diamond’s biggest fan favourites, with his closest hit to the bulls-eye being the medley including Soolaimon/Play Me. The audience kicked in most enthusiastically for Sweet Caroline, not much unlike they do for the real deal.
|Tiera Watts & Chelsey Duplak - courtesy Stage West Calgary|
Backing up the actors right onstage, the house band led by Konrad Pluta did not miss a beat on these all too familiar selections, no big surprise as these musicians are always top shelf. Providing the icing on the cake the show also features a pair of background vocalists and dancers, Chelsey Duplak, and Tiera Watts - each having a few moments of their own to showcase, which they certainly did handily.
|Luke Marty as Tom Jones - courtesy Stage West Calgary|
After the break, it was time for ‘Tom Jones’ to hit the stage, played by Luke Marty. Like his fellow cast members, there were moments he hit the mark near perfectly. For me, that was on Love Me Tonight, capturing more than enough of the legend’s essence on that song.
|Matthew Lawrence as Elvis - courtesy Stage West Calgary|
Closing the show it was time for The King, and Matthew Lawrence tackled the role of Elvis. His vocal range lent itself best for Jailhouse Rock, but he had success with American Trilogy as well - powerful stuff that track.
Director Liz Gilroy and co-creator Konrad Pluta have done a fine job of recreating the costumes and overall feel of the artists and their eras, so if you have a connection to some of the biggest hits of all time, you’re bound to find plenty of familiar songs to sing and clap along with in this presentation.
I’ll have a link here when my official Calgary Herald review runs, with even more insight.
Legends of Rock ’n’ Roll runs to Sept 4, at Stage West Calgary.
3.5 out of 5 stars